Presonus - SL-24

$2,139.00 $1,711.00

Incluye Notion 6, Studio One 3

 

Descripción

Descripción

Nunca volverás a un mezclador analógico de old-skool una vez que uses StudioLive ™. Con su poder de procesamiento de señal increíble en cada canal, fácil almacenamiento y recuperación de cada ajuste, y la capacidad de grabar todo con sólo dos clics del ratón, obtendrá rápido! Más fácil de usar, mejor sonido e impecablemente integrado con software de última generación, ofrece el entorno más creativo posible tanto para la producción en vivo como para la producción de música de estudio.

Pero StudioLive no es simplemente un mezclador, sino que es una familia de sistemas de mezclado y grabación de hardware-software integrados que ofrecen las características que necesita para sonido en directo, grabación en vivo y grabación en estudio.

StudioLive 24.4.2

Información adicional

Información adicional

Presonus

Información Técnica

Información Técnica

Microphone Preamp 1-24 (XLR Balanced)

TypeXLR Female, Balanced
Frequency Response to Direct Output20 Hz to 40 kHz ±0.5 dBu
Frequency Response to Main Output20 Hz to 20 kHz ±0.5 dBu
Input Impedance (Balanced)1 kΩ
THD to Direct Output< 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
EIN to Direct Output+125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output-97 dB
S/N Ratio to Main Output-94 dB
Common Mode Rejection Ratio+65 dB
Gain Control Range-16 dB to +67 dB (± 1 dB)
Maximum Input Level (unity gain)+16 dBu
Phantom Power+48 VDC

 

Line Inputs

Type¼” TRS Female, balanced mono
Frequency Response to Direct Outputs10-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs20-20 kHz, ±0.5 dBu
Input Impedance10 kΩ
THD to Direct Output<0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output-105 dB
S/N Ratio to Main Output-94 dB
Gain Control Range (±1 dB)-20 dB to +20 dB
Maximum Input level (unity gain)+22 dBu

 

Tape Inputs

Type¼” TRS Female, balanced mono
Maximum Input Level+10 dBu

 

Auxiliary Inputs

Type¼” TRS Female, balanced (2 stereo pairs)
Maximum Input Level+22 dBu

 

Main Outputs

TypeMale, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair); XLR Male, balanced (mono)
Rated Output Level+24 dBu
Output Impedance100Ω

 

Aux Outputs

Type¼” TRS Female, balanced (mono)
Rated Output Level+18 dBu
Output Impedance100Ω

 

Subgroup Outputs

Type¼” TRS Female, balanced (mono)
Rated Output Level+18 dBu
Output Impedance100Ω

 

Tape Outputs

TypeRCA Female, unbalanced (stereo pair)
Rated Output Level+18 dBu
Output Impedance100Ω

 

Control Room Outputs

Type¼” TRS Female, balanced (stereo pair)
Rated Output Level+18 dBu
Output Impedance100Ω
Característica

Característica

General

  • 24 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers
  • 4 subgroups
  • Stereo/mono main out
  • 10 auxiliary mixes
  • 32-in/26-out FireWire digital recording ­interface (24-bit/44.1 kHz and 48 kHz)
  • Studio One Artist Digital Audio Workstation software for Mac® and PC
  • Capture™ 1.1 recording software for Mac® and PC
  • StudioLive Remote mixer-control software for iPad® available free from Apple App Store
  • QMix™ aux-control software for iPhone® and iPod touch® available free from Apple App Store
  • Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more
  • 24 channel strips
  • Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
  • +48V phantom power switch for condenser microphones
  • FireWire Input Select
  • 100 mm precision faders
  • Lighted Solo and Mute buttons
  • Access to Fat Channel functions
  • 15-LED ladder metering + clip LED
  • Analog ¼” insert (rear panel)

4 subgroup buses, each with:

  • Solo
  • Mute
  • Access to Fat Channel functions (except high-pass filter and phase reverse)

10 aux sends, each with

  • Solo
  • Pre/post-fader send
  • Output-level control
  • Access to Fat Channel functions (except phase reverse)
  • Mix and Mix/Pan Fat Channel metering
  • Available sources: 24 input channels, Aux A and B, Tape Input, Talkback

2 internal effects sends, each with:

  • Mute
  • Pre/post-fader send
  • Output-level control
  • Access to Fat Channel (except phase reverse)
  • Effects-send Select for Fat Channel metering
  • Mix button for aux-bus mixing and Fat Channel metering

Master Section

  • Aux Input A and B
  • Level Control and Select (Fat Channel ­metering) switch
  • Access to all Fat Channel functions (except phase reverse)
  • Talkback System
    • Mic Level control
    • Output Select ( Aux 1-2, 3-6, 7-10, Main)
    • Talk button
    • Rear-panel XLR mic input with level control and continuous 48V phantom power
  • 2 Track In
    • Level control
    • Tape Input to Mains button
    • FireWire source on/off
  • Solo Bus
    • Cue Mix volume control
    • PFL/AFL and Solo In Place (SIP) buttons
  • Monitor Bus
    • Headphone-output level control
    • Control-room monitor-level control
    • Solo Bus to Monitor button
    • Tape Input to Monitor button
    • Main L/R FireWire Return to Monitor button
    • Main Mix to Monitor button

Fat Channel with rotary encoders:

  • Pan with dedicated 15-LED display
  • Stereo link for input channels, aux buses, and subgroups
  • Phase reverse (main channels only)
  • High-pass filter: 6 dB/oct., sweepable from Off to 1 kHz (main channels and aux’s only)
  • 4-band fully parametric equalizer
    • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
    • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    • Master EQ On/Off button
  • Gate: Threshold: 0 to –84 dB, Attack: 0.02 to 500 ms, Release: 0.05 to 2 sec, Bandpass Key Filter: 40 Hz to 16 kHz, second-order resonant bandpass filter Q (0.7) with Key Listen function
  • Compressor: Threshold,-56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
  • Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio
  • Output Assign: 4 subgroups and main with post-EQ/post-dynamics option
  • All settings can be copied among channels and saved as user presets.
  • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals

2 internal digital effects-processors, each with 50 customizable reverb and delay presets

  • 31-band graphic equalizers
    • Assignable in four stereo pairs
    • Mono or stereo operation
    • Main outputs, aux outputs, subgroup outputs
  • Scene Store and Recall
  • Global Scene Storage: all current StudioLive settings
    • Up to 80 at a time
  • Automatic Global AutoStore
  • Individual channel-strip Scene storage
  • Up to 48 at a time, plus…
  • 50 factory presets for instruments and vocal
  • Copy and Paste between channels
  • Customizable naming (for example, “Saturday Gig” or “Main Worship Service“)
  • Lockout mode to keep inspired amateurs from changing your settings

Metering/Displays

  • 24 x 16- LED Fat Channel matrix:
    • Pre-dynamics/pre-fader input
    • Post-dynamics/post-fader output
    • Gain reduction
    • Aux 1-10 and EFX A/B output
    • Fader-position recall
  • 8 x 15-LED main meter bank
    • Selected channel level
    • Selected channel gain reduction
    • Sub buses 1 to 4
    • Main stereo outputs
  • 15-LED horizontal Pan/Balance display
  • 64 x 194 LCD matrix
    • Effects parameters
    • Scene creation, storage, and recall
    • System menus
  • 2-digit Channel Selected display

Input/Output

  • 24 main inputs, each with XLR mic, ¼” line, and ¼” inserts
  • 2 ¼” stereo (L/R) aux inputs
  • 1 XLR talkback-mic input with phantom power and level control
  • Unbalanced RCA stereo (L/R) tape inputs and outputs
  • XLR stereo (L/R) main outputs with level control
  • ¼” stereo (L/R) main outputs
  • XLR mono output with level control
  • ¼” stereo (L/R) control-room outputs
  • ¼” headphone output
  • 4 ¼” subgroup outputs
  • 10 ¼” aux outputs
  • 24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 (DB25 sockets) S/PDIF digital out
  • 2 FireWire 400 ports

Digitalia

  • High-definition analog-to-digital converters (118 dB dynamic range)
  • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
  • Internal sample frequency 44.1 kHz and 48 kHz

Physical

  • Rugged, non-flex steel chassis
  • 100 mm long-throw faders
  • Military-grade, quick-touch buttons
  • BNC 12V lamp socket
  • Optional dust covers available
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